|
Novels
|
|
|
Novels
|
|
The Circus of Ghosts - The Fraud - The Mesmerist - Rosetta - The Trespass - A Dangerous Vine - The Actresses
THE CIRCUS OF GHOSTS New York, late 1840': an exciting brazen, loud young city exploding with new money and new people and new ideas: the telegraph, the daguerreotype, anaesthesia, spiritualism, occultism, table-tapping. And in Silas P. Swift's brash and beautiful circus a mother and daughter hide their damaged hearts and excite huge audiences in the big top: one shadowy mesmerist who can heal other people (but not herself); the other an acrobat and tightrope-walker who soars above New York. But in London memories fester in the mind of an old and vicious duke of the realm who plots with an unscrupulous lawyer against the mother and daughter: to kill one and abduct the other across the Atlantic: bring her to me, she is mine. So the lives of Cordelia and Gwenlliam Preston become unexpectedly and hauntingly entwined with the gangs of New York and the New York Municipal Police Department.... REVIEWS “A mother and daughter
have run away to New York and joined a circus. One is a mesmerist, the other
is a tightrope-walker. Both are using the trickery and illusion beneath the
big top to hide from a violent past, but one man is hell-bent on finding
them to settle a score. A gritty 19th-century thriller.” BOOK OF THE WEEK:
“Ideal if you want to run away with the circus.” “Her makeshift family
of flamboyant characters matches the zesty bustle of New York perfectly…This
is ultimately a book of loves and dangers, and the way loves and dangers
gnaw at each other. Ewing sheds light on both.” “It’s high drama and
it happens with pace, gusto and much colour…a romping, cheerful novel full
of likeable characters, racing breathlessly towards a conclusion…” |
|
|
1763. As candles flicker in the falling dusk along Pall Mall, Filipo di Vecellio, fêted portrait painter from Florence, and his beautiful wife Angelica entertain the cream of London's art world in their fashionable London home, with Joshua Reynolds and Thomas Gainsborough among the guests, and William Hogarth a disapproving observer. Little is known of Filipo's past or his family - except in the shadows sits his sister, Francesca, who watches, and listens, and waits. For beneath the opulence and success, the house in Pall Mall conceals a swarm of secrets, corruption and lies. Filipo's ambition has meant numerous, terrible sacrifices for Francesca, but Filipo is not the only painter, nor the only one capable of fraud. And as the great wild city of trade and business expands its grasping, avid tentacles, a climax erupts involving love and passion - and the quiet sister who has waited so long... REVIEWS “New
Zealand-born Barbara Ewing, herself an actress, has a soft spot for the
inhabitants of history's demi-monde. Her latest novel opens in 1763,
as Filipo di Vecellio, a portrait painter from Florence, and his much-coiffured
wife Angelica, play host to London's art-world, entertaining Joshua
Reynolds, Thomas Gainsborough and a disapproving William Hogarth at their
fashionable Pall Mall home. Not much is known about Filipo's past - though
the household is home to several secrets. In this engaging and enlightening
novel about artistic ambition and fraud at the nascent Royal Academy, Ewing
is an accomplished storyteller who puts the pleasure of her readers first.”
|
|
|
THE MESMERIST
REVIEWS “A compelling storyteller, Ewing puts on a masterly performance in
recreating Victorian theatre land. Even when the body count starts to mount,
she keeps us believing…”
|
|
|
ROSETTA
Click here to listen to Barbara talking on Google
video about Rosetta REVIEWS
A brilliantly evocative and superbly researched
re-creation of a period fascinated by the Rosetta Stone and the decipherment
of Ancient Egyptian hieroglyphs. For Barbara Ewing, history is not merely a
decorative background for romance, but the very centre of a passionate and
enthralling intellectual adventure.
|
|
|
THE TRESPASS REVIEWS “A detailed and extremely readable novel. Full of well-realised, interesting
and believable characters.”
|
|
|
(long-listed for the Orange Prize) In the 1950s, when people who had never left New Zealand still called England ‘home’, New Zealand prided itself on being The Greatest Little Country in the World, where there were no racial problems and everybody lived happily together in God’s Own Country. Was it that way? A novel of love and pain and laughter and music. And loss.
|
|
|
REVIEWS “This is an excellent account of the late middle-aged antics of the class of
’59...a terrific insight into actors’ childish psyches. Ewing understands
the different kinds of love and friendship, and the denouement on a Hawaiian
island is pure Jilly Cooper.” SUNDAY TIMES
|
|
Barbaraewing.com 2011